Minutes earlier than the climax of Bhooth Bangla, Mithila Palkar’s character asks Jisshu Sengupta, “Papa, ye kya ho raha hai?” He says, “Ye sab ek bura sapna hai.”
Bhooth Bangla is that nightmare for diehard Bhool Bhulaiyaa followers.
A folktale goes that nobody marries in Mangalpur as a result of a monster referred to as Vadhusur abducts newly-married brides earlier than the marriage night time. Bhooth Bangla, set in early 2000s, follows Akshay Kumar’s Arjun who lives in London and owes a number of mortgage sharks some huge cash.
Jisshu Sengupta, 49, performs the daddy of Arjun, essayed by 58-year-old Akshay Kumar.
Anyway, Arjun plans his sister Meera (Mithila Palkar)’s wedding ceremony after inheriting a palace of their ancestral village Mangalpur, someplace in northern India, we’re informed. Arjun takes the duty to get the home so as earlier than everybody lands within the village for the marriage.
What follows is a complete mess past restore. What pains most is how Bhool Bhulaiyaa nostalgia serves as an entry level for diminishing returns of pressured humour and a plotless story.
The intermission level would come as a shock if one could not see the ‘twist’ inside the first 20 minutes of the movie.
The similar set of the haunted grand haveli, the promotional music mirroring Hare Ram Hare Krishna, the star forged of Paresh Rawal, Rajpal Yadav, Tabu, and the late Asrani, and the successful mixture of Akshay Kumar and Priyadarshan screams Bhool Bhulaiyaa ‘Again’.
A interval setting, a love triangle, ashtami, music conditions, even the frames, this movie has the Bhool Bhulaiyaa blueprint however it’s not half as sensible as its non secular successor. Bhooth Bangla isn’t even a patch on Bhool Bhulaiyaa that regardless of being 19 years previous does not really feel dated.
It’s our nostalgia that retains Bhool Bhulaiyaa alive in our collective reminiscence. Bhooth Bangla additionally has remnants of different Priyadarshan movies, together with Hungama and Chup Chup Ke, in addition to an out-of-camp horror comedy Stree, Hollywood supernatural movie Sixth Sense, and a superhit Tamil movie whose title if revealed will likely be a useless giveaway a few key plot level.
In one occasion, Akshay Kumar incorrectly refers to Mangalpur as Gangapur.
The solely saving grace in Bhooth Bangla is Asrani as palace caretaker Shambhu Babu, to whom the makers have devoted the film. His scenes nonetheless elicit laughs, few and much between although they had been. He was the one character that confirmed actual conviction. Sadly, we by no means discover out what occurred to him.
Fortunately, Rajpal Yadav avenges the long-lasting Bhool Bhulaiyaa slap. Tabu is wasted within the film, Wamiqa Gabbi is simply there, and Mithila Palkar is shrill.
It’s additionally a disgrace that the movie is titled Bhooth Bangla, only a completely different spelling from Mehmood’s Bhoot Bungla, the long-lasting 1965 horror comedy.
Bhooth Bangla ought to serve for instance: when you want to promote nostalgia, not less than respect the audiences who’ve now grown up. Give them one thing to carry onto in addition to a dilapidated story construction that may’t stand by itself, even on the inspiration of nostalgia.
Also Read | Why Akshay Kumar’s Bhooth Bangla Is A Constant Reminder Of Bhool Bhulaiyaa
