Even on Zoom, Katseye is aware of the best way to make an entrance. Four of the six ladies pop up in separate home windows, turning on their cameras in succession, able to get all the way down to enterprise. The partitions behind them are principally clean, and every member is in a extra informal, dressed-down presentation than their regular edgy glam. But the chaos of getting all six members directly stays: Daniela Avanzini and Manon Bannerman each have wi-fi points. It takes Daniela some time earlier than she will be part of, and we lose Manon intermittently till she connects outdoors, sitting at a desk in a courtyard.
The remainder of the ladies are as affected person {and professional} as regular. If they’ve any inkling that, in a single week’s time, they’ll make an announcement that may not solely break the web however flip their fan base the other way up, they aren’t displaying it. At this level in late February, they’ve barely even come down from their Grammys excessive.
“I’m literally still processing that I was even there,” says Megan Skiendiel, fast and ecstatic to speak about it, in her regular bubbly tone. They carried out “Gnarly” — an addictive, topsy-turvy jock jam with brainrot lyrics that seize the expertise of mainlining a thousand TikToks in a single sitting — throughout the blowout Best New Artists medley and will see Lady Gaga and John Legend from the stage. That evening, they frolicked with Tate McRae, met Sabrina Carpenter for the primary time, and mingled with different nominees on the ground.

“We had such a fun kiki with Zara Larsson. She’s the best,” says Lara Raj. Bold and assured with out overshadowing the others, she usually takes the wheel of the dialog from her sq. on the left facet of the display. “We were sitting right in front of Slash, which was so cool and so iconic,” she continues. “Literally, one moment he’s sitting behind us, and then the next moment he was on stage performing, and I was like, ‘Oh my God, I didn’t even realize he was right behind us.’ So many iconic, iconic people.
Sophia Laforteza is the group’s designated leader, and she lives up to the title. She keeps everyone on message throughout the conversation, clear and concise about her hopes for the group. “When we all sit down and reflect on what just happened in the past year, it really is nothing but surreal,” she says, crouched on the ground subsequent to her mattress. (The members stay individually however close to one another in Los Angeles.) “It’s so crazy how a lot of the things [we said] in past interviews are coming to fruition already so soon that it’s making the future even clearer for us. It’s starting to just carve this path for us, and we just can’t wait.”
“You cannot do this if you’re not deeply passionate about it and if you don’t deeply love it,” Lara provides. “There is so much hardship but also so many beautiful and exciting moments.”

Last yr was fairly extraordinary by most pop requirements. “Gnarly,” regardless of its dangerous sound and nonsenical wordplay (courtesy of hyperpop pioneer Alice Longyu Gao), grew to become their first Billboard Hot 100 entry and preceded their second EP, Beautiful Chaos; follow-up single “Gabriela,” with its hypnotic Latin-pop rhythms and bilingual lyrics, impressed its personal viral TikTok dance challenge. But the group was all the time greater than an internet sensation: When they performed the MTV Video Music Awards pre-show, you could possibly hear followers screaming alongside so loudly, the censors had to bleep them. At Lollapalooza in Chicago final summer time, Katseye set a daytime attendance document with greater than 85,000 folks catching the set (and one other 100,000+ watching the livestream) earlier than embarking on their first headlining tour within the fall.
“We’re only as strong as our weakest member. We need to make sure that we’re all showing up for each other. We cannot leave anybody behind.”
By the top of the yr, they had been up for 2 Grammys (for Best New Artist and Best Pop/Duo Group Performance). Their burgeoning careers have additionally been fed by a slew of event-level endorsement offers, together with a massive Gap denim ad by which their mesmerizing strikes to Kelis’ “Milkshake” helped increase the model’s comparable gross sales by 7% (and, for a second, mercifully made the world neglect the phrases “Sydney Sweeney jeans discourse”). Since then, Fendi, Glossier, Urban Outfitters, Lush, Pandora, Jollibee, and even the New York MTA have all known as upon the world’s coolest group to provide them a lift. By early 2026, Katseye has already appeared in a Super Bowl advert for State Farm and snagged maybe the most well liked accent round: a customized smoothie for Erewhon.
It’s every thing Katseye has been grinding for. Their journey started in late 2021, when Hybe — the South Korean firm behind BTS — and Geffen launched auditions to create a brand new international woman group, styled and educated just like the Okay-pop stars Hybe is thought for, however with multicultural attraction for the final remaining souls in some way satisfied Okay-pop isn’t for them. After two years of trying to find, then subsequently workshopping, potential members, the 120,000 candidates had been whittled down to twenty, who then competed within the YouTube competitors The Debut: Dream Academy, the place followers voted for the ultimate lineup. The prime six grew to become Katseye as we all know them, the world’s most talked-about woman group, answerable for a number of the tightest dance breaks and gaggiest performances on the planet.
Most of them had been working towards stardom for a decade or extra already. New York City-born, Manila-raised Sophia, 23, grew up round theater due to her mom, who starred in Miss Saigon on the West End within the ’90s, and she or he speaks of her childhood ambitions with the identical laser focus she makes use of with Katseye. “In school, I was the girl that joined every single thing that was related to what I loved,” she says. “I joined every single extracurricular activity. I was in every single program, and I led all of them. I always made sure that if it was something that I knew I was good at and that I loved so much, I would excel and be the leader of everything that I did.”

Lara, 20, was equally single-minded in her mission. Raised between the tri-state space and Dallas, she pursued performing and modeling as a preteen, even making an look in former first girl Michelle Obama’s Global Girls Alliance campaign launch video in 2018. “I always knew that I wanted to and was meant to live a really big life, and I wanted people to receive and be an audience to what I put out into the world,” she says, glowing within the L.A. daylight streaming by the window. “I’ve always wanted many, many eyes on me.”
It’s a high quality she shared with Atlanta-born Daniela, 21, who competed as a dancer on each America’s Got Talent and So You Think You Can Dance: The Next Generation and nonetheless seems to be stylish in her off-duty ’match of a black tanktop and enormous tortoiseshell glasses. “I always knew dancing was for me,” she says, “but when I moved to Miami around 8 or 9 years old, I was like, ‘This is what I want to do. I want to sing, dance, and act.’” In Miami, she additional linked along with her Latin roots — her mother and pop are Cuban and Venezuelan, respectively, and Spanish was her first language — listening and dancing to extra salsa, merengue, and bachata.
“We’re not going to stop showing you more of us. We’re really embracing that rawness — that crazy, wilder side of us.”
In distinction to a few of her bandmates, Honolulu-born Megan, 20, says she by no means felt assured at school. She took dance lessons and knew she needed to pursue a artistic life — it simply didn’t really feel completely accessible to her. “I was not really in the center of the entertainment industry,” she says, bundled up in an oversize puffer jacket, hoop earrings dangling. “Obviously, on a little island, all of our info came maybe a month after everything was already happening in L.A.” But finally, her focus crystallized: She began spending weekends in L.A. when she was 10, realizing there was “no Plan B” for coming into showbiz.
The child of the group is South Korea’s Yoonchae Jeung, 18, whose cheeks as we speak look significantly rosy. She’s the quietest member, usually ready to be known as on to talk up, however beneath her reserved demeanor is a fierce willpower. “I think I was very extroverted before, when I was young,” says Yoonchae, who began in Okay-pop’s trainee system previous to becoming a member of Katseye. The different members perk up every time she speaks, with clear look after the remaining teen within the crew. “I love to dance every day. I used to go on the stage every time we had a talent show. I knew I was going to be a singer.”

And then there’s Switzerland’s Manon, 23. The group’s eldest member, she’s as talkative and assured as Lara. Though she was already constructing a following in Europe as a well-liked influencer and mannequin on social media, America known as to her. Around 2% of Switzerland’s inhabitants is Black, and Manon needed to be someplace the place there have been extra individuals who not solely regarded like her but additionally had a foothold on this business. She got here to L.A. in 2020 for an change yr, and despite the fact that it was reduce quick because of the pandemic, she had already fallen in love.
“I was honestly so shocked that there was a city with so many creative people and just so many like-minded people,” she says, fresh-faced along with her hair pulled again below a scarf. “Now I’m here with these girls, so I’m like, ‘What the hell happened?’ I’m so, so grateful and feel so blessed, and it really just goes to show that anyone can do it.”
We all know by now these harmless childhood desires and ambitions all the time include a value. These days, there are extra eyes on Katseye than ever. Each particular person member’s social media is adopted by thousands and thousands of followers. For each swarm of recent followers they made after their Grammys efficiency, there was a detractor who didn’t perceive why they had been on that stage within the first place. It’s a cycle each younger lady within the business encounters, and proper now Katseye is within the eye of the storm.
“What we’ve learned about what it takes to be an artist is not paying too much attention to what is happening online,” says Manon. “I think once you get famous, there’s so many opinions all of a sudden about you. Everyone’s judging and having something to say. Just keep building a wall between all of that.”
Easier mentioned than executed.

On Feb. 20, Katseye introduced that their group of six would, for the second, turn into 5. “Manon will be taking a temporary hiatus from group activities to focus on her health and well-being,” Hybe and Geffen mentioned in a press release. Of all of the members, Manon all the time appeared to have the clearest boundaries when it got here to extending herself. As seen within the Netflix documentary Pop Star Academy: Katseye, a behind-the-scenes have a look at the Dream Academy expertise, the opposite members both talked behind her again or confronted her immediately for not displaying as much as rehearsals sufficient as she took sick days as a substitute of pushing herself when she knew she couldn’t. Her competitors could have thought she was lazy, however Manon nonetheless had sufficient charisma and star energy to be voted by to the ultimate.
For followers — lots of whom have lived by the traumas of previous girl-group departures by Geri Halliwell, Camila Cabello, and Jesy Nelson — the announcement triggered a panic, in addition to their very own investigations. A Weverse message from Manon, by which she assured followers she was wholesome and that “sometimes things unfold in ways we don’t fully control,” advised to some “Eyekons” (because the group’s supporters are known as) that there was extra at play. They pored over photographs and movies of the group, doing armchair body-language evaluation. They resurfaced clips from Pop Star Academy and different off-stage footage that, of their eyes, pointed to a long-fractured dynamic or alleged mistreatment by their labels. Was Manon at odds with the business machine behind her? Had intragroup tensions in some way reached a breaking level? Or did she simply, actually, want a break?
“There’s moments where the internet can get really, really rough. The more years you’re in it, the easier it is.”
The group declined to reply extra questions on Manon’s hiatus, or the extraordinary fan hypothesis round it, after the information broke following our interview. (Last week, Manon eliminated point out of Katseye from her Instagram bio however advised followers, in a separate Weverse assertion, that she was in a contented, wholesome place: “HxG and I are having positive conversations and I feel supported.”) Back throughout our preliminary chat, Manon is easy about what it takes to be in Katseye. “Being in a group, it’s just about good communication and setting good boundaries and building a friendship, but also work relationship, and always remembering that it’s a shared goal that we have,” she says, whereas Lara nods in settlement.
“There’s six of us, so obviously not everyone’s always going to be on the same page about everything,” Manon provides. Like at photograph shoots, she presents — typically two members could like the identical outfit and need to resolve amongst themselves who wears what. “But I think we all are at, or have been learning and are finally coming to, a point where for the group’s sake, you give and you take. You pick your battles.”
The group has experimented with how they make choices. They’ve tried a majority-rules strategy earlier than, however in terms of a brand new track or choreography, votes like that felt exclusionary — and extra detrimental to the group’s dynamic than the work of discovering a strategy to make everybody completely satisfied.

“We have to lean on each other — and a good therapist.”
“We’ve learned that if even just one person doesn’t feel good about a certain thing, we need to heavily consider and communicate about it — because it’s not about the majority enjoying it and just having the people who don’t enjoy it adjust,” Sophia says, taking the reins once I ask for extra examples of how they work by disagreements. She’s a diplomatic chief, and she or he seems to be the half: With a white headband, black shoulder-baring prime, and a outstanding gold cross necklace, there’s something nunlike about her calm as we speak. “If we don’t feel comfortable, we don’t feel passionate. We don’t feel good about something. We need to help that person see another perspective or adjust everything overall because it really is hard to perform a song if you don’t enjoy it.”
At the top of the day, Sophia continues, it’s all about professionalism and respect. “We’re only as strong as our weakest member,” she says. “We need to make sure that we’re all showing up for each other and all going at the same pace. We cannot leave anybody behind.”

As is evident from the response to Manon’s hiatus, Katseye has not been proof against the minefield that’s being a lady on the web lately. The group members have been open concerning the racist and misogynistic harassment they’ve confronted on-line, each within the feedback and on their feeds. They say they’ve obtained hundreds of loss of life threats and have made an effort to name out the hate because it comes. Megan requested followers on Weverse to cease commenting on her look after getting bullied over her red-carpet have a look at a Grammys occasion. Throughout her time within the group, Manon has been criticized for not being “Black enough,” as if such a factor even exists, whereas others have sniped that Daniela is exaggerating her Latina identification for branding functions, with little understanding of cultural nuance. Last yr, a publish from somebody supposedly reporting Lara to ICE made the rounds on-line.
“There’s moments where the internet can get really, really rough,” Daniela says typically of this type of poisonous suggestions. She talks about it like she’s describing what she had for breakfast; managing the hate has turn into a standard a part of their every day lives. “I think the best thing for me personally is to just distract myself with other things, whether it’s hanging out with friends or talking to family or just going out.”
“We have to lean on each other,” Manon says. “But we also have supportive friends and supportive family. It’s something that keeps you humble and grounded. And then just having a good therapist.” (All the members are in remedy.) On Popstar, it was clear that the group dynamic hinged on the entire above. Scenes of the women crying on one another’s shoulders throughout brutal days in rehearsal or calling their mother and father or pals again dwelling for recommendation gave the present its coronary heart and humanity.

“I feel like the more years you’re in it, the easier it is, because I remember when we first started, it was really tough,” Daniela provides. The group members have been on the mercy of stan tradition from the soar — followers voted them into Katseye, in any case — however they’ve discovered the best way to take the ability again collectively, even when it simply means laughing at comments in their Katseye group chat. “Having each other is a really, really big one, ’cause we all get it,” Daniela says. “Having my five sisters being there for me is helpful because I know that I’m not in it alone.”
“I think Coachella is going to be a very iconic moment for us. We want it to be very grand.”
Historically, woman teams have been anticipated to rise above the chatter, save for some broad, relatable messages about championing over adversity. But what’s hanging about Katseye is how, this early of their careers, they’ve used their music to chew again. The Beautiful Chaos monitor “Mean Girls” magnanimously addresses how viewers described a few of them after watching Popstar, whereas “Internet Girl” laughs off the polarized reactions to “Gnarly” (“Click it, click it, ooh you hate it”). Lara teases their upcoming single “Pinky Up” (out April 9) as an “EDM and rave-inspired” banger that touches on being within the gossip crosshairs.

“I think the fans can really expect to see us explore more areas of our identity when it comes to the things that people have said, whether it’s good or bad,” Sophia says. “You can see us touching on that and clapping back at it. We’re starting to do that slowly just on our social media presence and through a lot of the music that we released.”
Every woman group speaks to the problems of its day: The Spice Girls and Destiny’s Child spelled out what wholesome relationships regarded like; the Pussycat Dolls believed intercourse positivity was inside us all; Little Mix and Fifth Harmony took feminine empowerment to the girlboss period. Katseye’s legacy — or at the least one of their legacies — simply is likely to be their fiery insistence that you simply don’t need to take this crap mendacity down. “We are showing the fans that we’re listening,” Sophia continues. “This is who we are, and we’re not going to stop showing you more of us. We’re really embracing that rawness and that crazy or wilder side of us.”
Expect to see that facet entrance and middle when the group performs at each weekends of Coachella. For artists on the cusp of a complete pop-music takeover, the pageant has confirmed to be the important push from buzz to breakout: In 2024, Chappell Roan and Sabrina Carpenter benefited vastly from their very own units going viral sufficient to rocket “Good Luck, Babe!” and “Espresso,” respectively, to the higher echelons of the charts.
“I think Coachella is going to be a very huge and iconic moment for us,” Lara says. “We’re all very obviously inspired by Beychella and Blackpink Coachella and how much effort they’ve put into their Coachella performances. We want it to be very grand and this big pivotal moment for us.”
“You cannot do this if you’re not deeply passionate about it. There is so much hardship — but also so many beautiful and exciting moments.”
While it’s unclear at press time whether or not Manon will return to Katseye in time for the double-header, the group has been experimenting with what it’s prefer to carry out as 5 as a substitute of six. In mid-March, they took the stage at Lollapalooza Argentina, the place Sophia shouted out Manon throughout the present. In an ominously prophetic activate our Zoom name, Manon’s connection lastly cuts off completely earlier than we wrap up. But the present should go on, and the opposite 5 hold the interview going, chatting about how they’ve been on the lookout for inspiration recently as they sit up for the remainder of their yr.

“I love spending time on Pinterest,” Megan says. She likes to make a brand new board to suit the power of a brand new track. “I love spending time looking at pictures, looking at vibes, and creating worlds and picturing what kind of version I would be of myself in that world.” Daniela digs for brand new artists and research “fire choreo” that makes her need to transfer otherwise. Sophia and Lara return to their pop awakenings: Miley Cyrus’ “Can’t Be Tamed” for Sophia and Kesha for Lara.
But Yoonchae is simply impressed by Katseye itself.
“Once a week, I search ‘Katseye’ and I watch our previous videos and performances,” she says. The remainder of the women smile warmly from their home windows on the video name at Yoonchae’s admission. “When I’m tired and when my fire is gone, and I see that video of us very on fire? I get inspired.”
Top picture credit score: Yoonchae: Lacoste clothes; Sophia: BOSS prime; Cou Cou bra; Manon: Moschino prime; Intimissimi tank; Brooks Brothers boxers; Lara: Issey Miyake clothes; Daniela: Another tomorrow prime; Tie Bar tie; Meagan: Polo Ralph Lauren prime; Hanro boxers; Brooks Brothers tie
Photographer: Daria Kobayashi Ritch
Stylist: Katie Qian
Writer: Brittany Spanos
Editor-in-Chief: Lauren McCarthy
Creative Director: Karen Hibbert
Creative Movement Director: Charissa Kroeger
Set Designer: Kelly Fondry
Hair: Evanie Frausto for Matrix
Makeup: Loftjet
Manicurist: Juan Alvear
Video: Kristina Grosspietsch, Tiki
Photo Director: Jackie Ladner
Production: Danielle Smit, Kiara Brown
Fashion Market Director: Jennifer Yee
Fashion: Stephanie Sanchez, Ashirah Curry, Noelia Rojas-West
Features Director: Nolan Feeney
Social Director: Charlie Mock
Talent Bookings: Special Projects